Placemaking – Friends of St James Park Toronto https://friendsofstjamesparkto.com Sat, 10 Jan 2026 14:49:15 +0000 en-US hourly 1 https://wordpress.org/?v=6.6.5 https://friendsofstjamesparkto.com/wp-content/uploads/2020/01/cropped-FSJP_logo_web_horz_colour-1-32x32.jpg Placemaking – Friends of St James Park Toronto https://friendsofstjamesparkto.com 32 32 St. James Park Pavilion: A Vanguard of Contemporary Urban Design https://friendsofstjamesparkto.com/2195/?utm_source=rss&utm_medium=rss&utm_campaign=2195 https://friendsofstjamesparkto.com/2195/#comments Tue, 16 Mar 2021 18:16:14 +0000 http://friendsofstjamesparkto.com/?p=2195

by Jack Anderson

For some time now we have been living with experimental/non-traditional urban high-rise architectures which seem to have become the norm rather than the exception. What is rarely on our radar though are small-scale public structures such as shelters, pavilions, gazebos, and bandstands which are often ignored in our discussions of architecture. That’s a shame as they are some of the most experimental and, because of that, aesthetically interesting contemporary structures being built in North American cities today. The new pavilion in St. James Park is a prime example.  Situated downtown on King Street and thus getting a lot of foot traffic, this bold free-standing structure is unusual enough that it demands our attention and consideration.

The new pavilion is now clearly the focus of the park as it is situated at the intersection of the four redesigned sidewalks leading directly to it from all four corners of the park. As befits its central location, it is both a subtle and eye-poppingly contemporary form that manifests many carefully considered design decisions, such as 1) scale – it is much larger than the old pavilion it replaces, but still is comfortably surrounded by the branches of the trees around it; 2) visual weight – it now has some visual weight or ‘heft’ despite it’s airy skeletal openness; 3) form –  it is a contemporary mash-up of both acute angles and graceful gothic arches; and 4) material – aside from the platform on which it sits, it’s made of exposed Alaskan Yellow Cedar, which counterpoints the steel and glass towers that define downtown Toronto.

The pavilion’s footprint is a rectangular platform made of concrete. As it has no walls whatsoever on any of the four sides and is topped by an open gable roof of slated timbers, it permits us to see and interact with the skeletal framework of the structure itself. The cantilevered roof is supported on the lower north end by a cluster of four sets of four arches, each constructed of wood. They come together at the centre of the grouping to form a modified central groin vault, like those we are familiar with from most pre-twentieth century European cathedrals. Without walls enclosing the pavilion, these exposed elegant rib-like arches gracefully mimic the arcing branches of the surrounding trees.

But more fully and accurately, the arches are meant to echo the arched stained glass windows on the east face of St. James Cathedral that sits parallel to the pavilion across the park to the west. In a way, the two structures not only physically bracket the park at its southern limit but do so aesthetically as well. In addition, the arches of the pavilion collapse a temporal distance as here the new repeats the old: 2021 acknowledges and refers back to 1853 when the Cathedral was built. This savvy affirmation of the history and origins of this church and the park, contextualizes and adds conceptual depth to a structure that was ostensibly built for functional purposes.

The pavilion was sensitively conceptualized/designed by the Toronto architecture firm, RAW, whose task was to create a flexible au plein air space. And they have succeeded. During the warm months, the pavilion will allow for the continuation of neighbourhood musical and dramatic performances, lectures, readings, dance lessons, and all kinds of other events – all of which have been a signature feature of St. James Park for many years. The persistence of these kinds of communal spaces within the crowded urban landscapes of North America, reflects a historical and ongoing—and perhaps now more urgent—need for urban communities and their individual residents, to engage more intimately through social and cultural initiatives and events.

The pavilion is a welcome new addition to the healthy open green space that is St. James Park and will continue the fostering of neighbourhood congregation, community building and social expression. It will also simply allow for fun. What could be better than that?

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Reclaiming our Street: King Street Parklets https://friendsofstjamesparkto.com/reclaiming-our-street-king-street-parklets/?utm_source=rss&utm_medium=rss&utm_campaign=reclaiming-our-street-king-street-parklets Sun, 06 Sep 2020 01:45:44 +0000 http://friendsofstjamesparkto.com/?p=1862


Lately, because of the COVID-19 pandemic, cities are converting streets into public spaces. Toronto has introduced CurbTO, ActiveTO and the increasingly popular CaféTO, which carve out space from traffic lanes for the public realm.

Torontonians readily embraced these placemaking efforts, not only because we desperately needed some breathing room, but perhaps because we had some experience with it already. In 2017, the City of Toronto, uncharacteristically, approved the King Street Pilot, where cars relinquished their priority status on the street, to give way to public transit, bikes and pedestrians. It was an overwhelming success. True, some businesses grumbled about lost revenue (despite statistics showing the opposite), but most Torontonians readily embraced the spacious, quiet and safe corridor. It redefined the term “freeway”.

Even before the King Street Pilot became permanent (and given the roll-off-the-tongue moniker “King Street Transit Priority Corridor”), the city augmented the curb lanes on both the north and south sides of King with public seating, planters and parklets. They invited design firms and artists to submit creative plans for structures to encourage people to gather, sit, and enjoy their surroundings. An annual design competition selects the winning designs to be installed each summer.

Some of the past installations on the north side of King Street East bordering St. James Park have been King’s Buried Treasure by Karen Roberts in collaboration with Cindy Scaife and Marg Cresswell, Cloud Bench by Denegri Bessai Studio, and High Strung by Brook McIlroy Inc., which still stands.

In the summer of 2020, two new seating installations were installed, each embodying the concept of a “circular economy”. In 2016, the City adopted a Long Term Waste Management Strategy, promoting the elimination of waste and continual re-use of resources in various city services. By making the circular economy the theme of this year’s design competition, these temporary public realm assets speak to the promise of landfill diversion.

For example, “Swing Stage” by @architectureparty—a collaboration between Sasha van Stavel, Zheng Li and Rémi Carreiro—is mostly made of temporary materials. The swing seats are repurposed skateboards and the church pews were found on Kijiji. The stones, obtained from an aggregate depot, and the rental scaffolding will be returned for future use by others and the plants will transplanted into new gardens.

This piece invites you to partake in the childhood pastime of swinging while contemplating all you see around you. In each pass, to and fro, you notice something new in the ever-changing streetscape. As the city constantly renews and rebuilds, where do the unwanted and discarded materials go? More and more is being written about the devastating environmental effects of demolition waste and how the sustainable handling of valuable demolition material is a big challenge. Some people point to the circular economy as a solution. As consumers, we all must expand our idea of recycling from household consumer goods to the building industry.

In the spirit of a circular economy, the second installation, Plant it Forward by artist John Notten, is a mini-ecosystem where virtually every component had a previous life just as every part will live on elsewhere in the community. The lumber comes from a 150-year-old Distillery building and the plywood framing from an old factory. Rain water is collected up top and stored in containers with built in hoses for watering the plants, which are tended and harvested by the local community. The plants will continue to thrive long after this installation is gone and the seven units that make up Plant it Forward will be given to local community groups and schools as a complete kit to continue their own gardens.  

When someone is kind to you, pay it forward.

When someone grows something for you, grow something for someone else.

This is the concept of Plant it Forward

~ artist John Notten

Come and spend some time here on the threshold of the park; relax in a cozy wheelbarrow or take a turn on the swing and know that one day all these components will be part of another future. 

The Friends of St. James Park, artist John Notten and design team @architectureparty want to give a big shout out and thank you to the volunteers who helped tend the gardens attached to both installations: Cathy W, Andrea C, Krista H, Sohnee A, Nick M, Barb L, Ardelle H, Cathy D, Chelsea S, Kevin M, Nadia A, Dwayne R, Sharmaine, Darcie M, Ellen W. and Maureen P. We would also like to thank the St. Lawrence Neighbourhood BIA and their watering crew for augmenting the rain water collection containers.

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