Updates – Friends of St James Park Toronto https://friendsofstjamesparkto.com Sat, 10 Jan 2026 14:49:40 +0000 en-US hourly 1 https://wordpress.org/?v=6.6.5 https://friendsofstjamesparkto.com/wp-content/uploads/2020/01/cropped-FSJP_logo_web_horz_colour-1-32x32.jpg Updates – Friends of St James Park Toronto https://friendsofstjamesparkto.com 32 32 We say goodbye to a very old tree https://friendsofstjamesparkto.com/we-say-goodbye-to-a-very-old-tree/?utm_source=rss&utm_medium=rss&utm_campaign=we-say-goodbye-to-a-very-old-tree Sun, 28 Aug 2022 17:04:24 +0000 https://friendsofstjamesparkto.com/?p=2339

The tolling bells of St. James Cathedral that solemnly mark the end of a life have lately also rung for a departed guardian that has stood sentinel over the park and cathedral for over 140 years—the majestic Silver Maple on the cathedral’s east lawn. The tree, well-known for its immense size and many large burls, had reached maturity and been losing its limbs over the past few years. In May, the City of Toronto’s Urban Forestry department marked it with a fluorescent orange circle—a tree’s death knell—and it was felled in July.

This tree has been living on borrowed time. Silver Maples can live up to 130 years and we estimated this tree to be about 141 years old based on its circumference and a formula provided to us by a landscape architect (unfortunately, counting the tree rings was not possible).

When planted, in about 1881, it stood next to the commercial buildings that bordered the cathedral on the east. The tree would have been smaller then and overwhelmed by the commercial activity that was transforming the downtown from a quiet and predominantly residential city to a noisy coal-belching manufacturing centre.

This 1923 Goad’s Fire Insurance map indicates with a pointer the approximate location of the tree. The buildings to the east of the cathedral were demolished over a period from the early 1960s to the mid-1970s, and the streets were covered over.  

The foreground of this 1950s image looking northwest toward the cathedral, shows the fronts of the King Street commercial buildings that once stood where St. James Park is today. The Silver Maple would be tucked in behind these buildings.

Looking northwest toward the Cathedral of St. James. The building behind and to the left of the cathedral is the head office of Imperial Oil. Source: City of Toronto Archives, Fonds 1128, Series 380, Item 59.

It was not until the mid-1970s that the eastern half of the block was fully razed giving the tree room to grow. The park was design and renovated in the early 1980s. A few archival photos show the tree—its distinctive stance and pattern of branches. At one point the base of the tree was encased in asphalt and encircled by park benches.

File contains slides that depict aerial and street level views of the park as well as photographs of the gazebo and the park during winter.
A view from above sometime in the 1980s.

 large flatbed truck was needed to cart away its massive trunk. The city’s practice is to use a stump grinder to churn out the roots to the depth of about one foot, and then fill and flatten the area. It will take about seven years for the now non-living roots to fully decompose. According to park staff, it is best to avoid replanting a new tree in the same spot of the old one as they do not fare well.

It is hoped however that a progeny of the old Silver Maple will be planted nearby. A friend of the Cathedral has collected 17 winged seeds from the original tree and is attempting to germinate and grow some saplings—all it takes is one!

Before and after.

Despite the loss of its oldest tree, there are still many wonderful trees in St. James Park. Recently, we invited city arborist, Mark Sherman, to help identify some of the tree species in the park. The list is exhaustive including Norway and sugar maple, birch, Gingko, locusts, Kentucky coffee tree, red oak, maple ash dogwood elder, hackberry elm, horse chestnut, phew… weeping cedar, eastern red bud, don redwood, Katsura, pagoda dogwood, European beech, hazelnut, mountain ash, plane tree, and tamaracks (there are probably more)! The arborist explained that having a variety of trees in a small area is not typical nor sustainable in a natural setting because trees do best when they grow in groups and achieve a critical mass. The diversity here is perfect for a park—and we are lucky to have them!

The burls made for convenient snack stops.

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It’s official! The pavilion is named after Michael Comstock https://friendsofstjamesparkto.com/its-official-the-pavilion-is-named-after-michael-comstock/?utm_source=rss&utm_medium=rss&utm_campaign=its-official-the-pavilion-is-named-after-michael-comstock https://friendsofstjamesparkto.com/its-official-the-pavilion-is-named-after-michael-comstock/#comments Fri, 02 Jul 2021 22:53:01 +0000 http://friendsofstjamesparkto.com/?p=2230

Every community has its organizers, those who roll up their sleeves to get things done. They are the high notes in the musical composition of community life. In the St. Lawrence neighbourhood, Michael Comstock was one of those high notes. Last week, his many contributions to the community were commemorated with the naming of the new pavilion in St. James Park—the Michael Comstock Pavilion.

The Michael Comstock Pavilion in St. James Park, Toronto 2021

The naming of the pavilion is due to the efforts of his long-time friend, Barbara Bell, who used to live in the neighbourhood. Shortly after Michael died from cancer in September 2012, she started a petition to name a local asset in his honour, which generated a swift response. She worked with the late city councillor Pam McConnell on several possibilities, but it was not until the idea formed of a new bandstand for St. James Park as part of its revitalization, that they landed on an appropriate way to recognize Michael, one that evokes his love of music and his efforts to bring music onto the streets of the neighbourhood.

Michael Comstock in 2006

Michael was born in Detroit in 1945 and attended Michigan State University. He moved to Canada in 1969, settling in Kingston. He worked as a social worker, then teacher, and later a pharmaceutical sales rep. He was always involved outside of work, and it was in Kingston, as owner of the clothing store Silver Threads, where he became involved in a local business group.

Once in Toronto, he became part of a cohort of civic-minded community members who were passionate about the power of the citizen to make democracy work. They were motivated by the wave of reform-minded city councillors and the emergence of people like Jane Jacobs, who were rethinking the modern city, wholly embracing her mantra that new ideas need old buildings.

Later Michael would become the president of TABIA, the Toronto Association of Business Improvement Areas, the umbrella organization of all the BIAs in the city (BIAs were a Toronto invention and are now a popular model in cities everywhere), but Michael began his promotion of Toronto’s diverse neighbourhoods and local businesses right here in the St. Lawrence community. As a founding member and chair of the St. Lawrence Market Neighbourhood BIA, he made happen—often taking up his own tools—many neighbourhood programs that we enjoy today. In those initial years, when the BIA was a start-up volunteer organization, holding its meetings at the Hot House restaurant, it focused on a limited footprint—the Market and Old Town. As time passed, the boundaries expanded; today’s BIA boundaries are essentially Yonge to Parliament and Richmond to the Gardiner Expressway. Michael’s impact would, through other committees and organizations, grow even further to include Corktown and the West Don Lands. George Milbrandt, current chair of the board of directors for the St. Lawrence Neighbourhood Market BIA, described Michael’s internal drive to make a difference as key to establishing one of the largest and best run BIAs in the city, stating “He had the energy and the vision to get so many things off the ground”. The BIA now works out of an office on Adelaide Street East and many of the current public realm and community programs it organizes and manages comes from Michael’s time there.

Ever the promoter, Michael worked tirelessly to bring events and people to the area. At a time when the market area was in transition, when there were only a few condos nearby and most visitors to the market were driving in from the suburbs, he had the vision to see a future neighbourhood that celebrated its historical antecedents and unique landmarks. Together with Alan Seymour whom he described as a mentor, they formed the Old Town Toronto Promotional Alliance (OTTA), essentially the tourism arm of the BIA (Seymour is credited for coming up with the moniker Old Town Toronto). The Alliance was a way for them to engage beyond the early boundaries of the BIA and they worked in concert with another community group, Citizens for the Old Town, using the heritage distinction of the neighbourhood to draw tourists, residents, and businesses to the area.

In 1998, when funding from the federal government became available for economic development projects, Michael and his group of community “conspirators” formed an ad hoc alliance called SEDERI, the South East Downtown Economic Redevelopment Initiative. Michael and Alan were both steering committee members, as was Edward Nixon, who remarked of Michael, “If there was an initiative to improve, celebrate, or market the neighbourhoods of Old Town Toronto, he either instigated it or was a leading part of it.”

There were so many things Michael had his hand in, it can be hard to make a full account of them; but all can be traced back to SEDERI’s foundational revitalization strategy for the area, the 2002 Old Town Toronto Action Plan. Its goals were to make the area recognizable as the Old Town, advocate for heritage development and public realm improvements, and attract business and tourism. Twenty years later, many of these initiatives and programs are still making their way into being.

They had a good tagline for the action plan— Putting Old Town Toronto in the Spotlight. Indeed, to draw tourists to the area, it had to be spruced up. One only needs to look at past photos showing expansive parking lots, forlorn heritage buildings, and little to no streetscape enhancements to appreciate the challenge they faced. But Michael was not daunted, “he threw himself into everything”, a sentiment expressed by George Milbrandt and echoed by many others.

One initiative they started, which was then used across the city, was the installation of street signs that identified the district. They installed markers near important heritage buildings that read “Old Town 1793”. You might still see the odd one around. The BIA designed pole-wraps that act as both a wayfinding mechanism and a deterrent to graffiti. The recent introduction of street corner wayfinding signs by the Toronto 360 Wayfinding Project, can be viewed as a redux version of these prior branding initiatives.

The Old Town Toronto street signs were commonplace for a long time. The St. Lawrence Neighbourhood Market BIA is currently exploring how to continue the practice of wayfinding in new signage as these older ones are phased out.


The heritage lamps and the seasonal greenery that ornament our local streets and parks were Michael’s idea—he designed and built the prototype of the basket frame that hangs from the lampposts. He was also part of the initial drive to light the Old Town’s heritage buildings. St. Lawrence Hall was the first to be fitted in 2009, the Market in 2019 and St. James Cathedral, completed just this past year. Those who work tirelessly to make positive change in their community know that the timeframes can be long—5, 10, 20 years. Dig back to the beginning of any current project and there you will find the seeds planted by Michael and his cohorts.

Throughout the years, Michael was relentless in making something from what never before existed. Local historian Bruce Bell credits Michael for getting him into the tour guide business. It was in 2002 and Bruce was writing local history articles for the area’s community newspaper, The Bulletin, when Michael approached him with the idea of doing walking tours for tourists to promote the history of the area, the Market, and its vendors. As he tells it, “Michael was always really involved in history, food, and people. Before him, none of this existed—no tourism, no busses full of visitors, nothing. He really changed the neighbourhood and made it what it is today”.

The Alliance organized events to celebrate the area’s heritage legacy and to attract visitors. One such event, the 2008 Festival of Old Town was a commemoration of the War of 1812 and included heritage concerts at St. Lawrence Hall (tickets cost $18.12!), a picnic in Sackville Park, Market walking tours and a corn roast dinner at the Enoch Turner School House. Michael described the event as helping “people understand that there is an Old Town area where Toronto began, where pioneers lived and died and built the city. We have a history we should celebrate and learn from.” The year prior, the Alliance produced a two-day historical event that included tributes to historical black leaders like Marcus Garvey and Thornton Blackburn. They cast their net wide for ideas on how to bring people to the area; even arranging to have citizenship ceremonies take place in the historical setting of the St. Lawrence Hall.

In the mid-2000s, they created a marketing campaign branding the old town the Nutcracker Neighbourhood. Encouraging business owners to dress up their storefronts, they blanketed the core of the old town in twinkling holiday lights. Travel tour packages were advertised all over, including out of country, with enticing experiences offered by local businesses—history and food tours, a behind-the-scenes looks at heritage buildings like St. Lawrence Hall and St. James Cathedral, and high-tea at the King Edward hotel. Tickets to the National Ballet’s Nutcracker performance were an option. Visitors who wanted a self-guided tour of the historical buildings in the area could use the heritage landscape guide map they produced.

The Old Town Toronto Alliance advertised the Old Town as Toronto’s leading neighbourhood for live theatre,
home décor shops, and heritage sites, and heavily promoted its pubs and restaurants.


At the heart of Michael’s ideas and initiatives was the economic vitality of the area, especially King Street. A current attraction called KEDDnight, a design-inspired exhibition with art installations, food, and wine at businesses all along King East Street East (KEDD stands for King East Design District), can be attributed to Michael’s efforts; he cultivated the idea. This annual celebration would not have happened without Michael’s initial encouraging of local design-oriented businesses to engage the public with a marquee event.

Most people, when asked to remember Michael, mention the Market Kitchen. His wife, Sharon, says that the Kitchen at the St Lawrence Market was one of his proudest achievements. Inspired by a trip to New Orleans where he saw how a chef can connect people to a city’s history through food, he spearheaded the concept and installation of a demonstration kitchen in the neglected space on the Market’s mezzanine level in the early to mid-2000s. It was Michael’s usual force of will that made it happen. He built the first kitchen and showed the powerful combination of food and tourism, a trend that was just emerging at that time. On Saturdays, when the market was busiest, the kitchen was used to showcase vendors and their food, with Bruce Bell providing the historical connection. Since then, the Market Kitchen has been through a few iterations—today it is a culinary centre offering cooking workshops and demonstrations with top chefs and other food related events.

Michael was an enthusiastic guitar player—his decorated guitar hangs prominently on a wall in the apartment he shared with Sharon overlooking St. James Park. He brought his love of music onto the streets of his community, first with the Global Roots music festival on Market Street starting in 1998, which morphed into Buskerfest, a festival featuring circus artistry, music, and magic. Then came the popular dog festival Woofstock, both events so popular that they were relocated to the large open space of Woodbine Park. He also started the popular noon-hour jazz concert series in Berczy Park to serenade lunching office workers and residents alike.

If Michael was not on the ground organizing some event, he was at his computer, trying to effect change through a popular opinion column he wrote for the community newspaper, The Bulletin. He covered topics affecting the community at the local level such as homelessness, condo development, and the installation of public art and he often bemoaned the state of tourism in the city. Frank Touby, editor of The Bulletin, wrote in remembrance of Michael, “he was a practical guy, full of practical ideas…If there was a job to be done that required perseverance, strong common sense and a volunteer spirit, Mike was quite often the volunteer”.

In July 2012, the St. Lawrence community came together to recognize Michael’s extraordinary
achievements and presented him with a special award


Because of his efforts to put the neighbourhood on the map, Michael became known as one of the godfathers of Old Town Toronto. Today, the spirit of the promotional work he did with OTTA continues under the umbrella of the St. Lawrence Market Neighborhood BIA and its initiatives. Many projects currently underway—the North Market, revitalizing the underpasses, development of the West Don Lands neighbourhood, and the work to designate the St. Lawrence Neighbourhood as a Heritage Conservation District—are, according to the current BIA director Al Smith, a natural progression of the work Michael did. Today the St. Lawrence Market Neighbourhood is one of Toronto’s biggest tourism draws, a testament to Michael’s success and the hard work of others who have built upon those early plans and taken them in new directions.

Michael touched and mentored many people. His friends and associates describe him as a charismatic and wonderful man, affable, a dynamo, always inquisitive, and very smart. He always met you with a smile and great enthusiasm.

To remember Michael is to remember through music. After a pandemic-enforced hiatus, the Music in the Park program will soon return to perform on the new pavilion, which now bears his name. Bands will set up, perform sound checks, and ready their instruments. People will draw together in the plaza in anticipation of a good show. The members of the band will make eye contact, their countdown just audible, and then, in that moment, in the first surge of the opening hit, Michael will be remembered.

Written by Kristine Morris

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https://friendsofstjamesparkto.com/its-official-the-pavilion-is-named-after-michael-comstock/feed/ 3
Book Review https://friendsofstjamesparkto.com/book-review/?utm_source=rss&utm_medium=rss&utm_campaign=book-review Wed, 30 Sep 2020 12:28:08 +0000 http://friendsofstjamesparkto.com/?p=1755

On This Patch of Grass: City Parks on
Occupied Land

by Daisy Couture, Sadie Couture, Selena Couture
and Matt Hern
Published December 2019

Reviewed by Kristine Morris, Chair Friends of St James Park

This family of co-authors has lived next to Victoria Park in East Vancouver for over 25 years. They know both the good and bad of urban parks. In their book, they aim to confront their own colonial attitudes towards land and examine their relationship to their local park. Matt Hern concedes that it is a fraught process in which there are no easy conclusions. It starts with some myth busting about urban parks, challenging assumptions, and asking questions – difficult questions that can make us uncomfortable, you know that sort of feeling you get when confronted with the sticky truth?  These questions start a conversation, one that Hern suggests makes sense to have at the level of your local park.

The main point of the book is that city parks, whether a small urban patch of grass or a sizable conservation area, are occupied land, embodying the social constructs of settler or white colonization, such as land boundaries, control over nature, and acceptable outdoor behaviours. Most park land was acquired through the disenfranchisement of Indigenous peoples, and here is the crux: parks continue to act as mechanisms of domination through current park management, programming, and revitalization efforts.

To challenge our assumptions, we need to bust some of the myths we have come to accept. While walking through your local park, you are probably not thinking much about the politics of space but consider the following simple narratives that we assume hold true.

First, the narrative that parks are natural space. Urban parks are not natural green space; they make up just one aspect of city-shaping and are like any other part of our formalized urban infrastructure like paved roads and sidewalks. This is important because many equate parks with natural space and will use this as an argument to keep their ideas about parks—how they are used and who gets to use them—unchallenged; a bulwark against losing something perceived as theirs.  

A second myth is that parks welcome and benefit all people. They do not. Decisions about parks inevitably favour one group of users over another. Related, a third myth is that parks are inherently “good”. Depending on your background and lived experience, this could be your reality, or the opposite could be true. Parkland is strictly managed and people’s behaviour in parks is highly regulated; since urban parks play host to many groups of people, they cannot respond to the wants and needs of everyone.

In Toronto, this has evolved into what has been described as a culture of NO and, depending on the park, this could mean no drinking, no music, no busking, no feeding animals, no skateboarding, no bicycling, no selling, no picnics, no sitting on the grass, no laying down blankets, no smoking, no dogs, no sports, no gardening, and absolutely no 25-cent lemonade stands! These rules are not subtle in their message that there are those who are welcome and those who should just move along. The book does not talk about defensive architecture, a practice that has taken hold in urban planning where public spaces are designed to discourage people from using them, but this is how these regulations manifest themselves in today’s city parks – built right into its infrastructure, like handrails in the middle of a park bench. To be fair, some regulations are not about stopping people from doing these things, it is to protect the city from litigation should something go wrong while people do these things. But they do make you wonder, who are city parks actually for?

That’s just the first of many questions. Here are more. What is the contemporary relationship of Indigenous peoples to land: ownership or custodial, or something else? What does it mean that settlers occupy it? If on treaty land like Toronto, what does this imply? In 2010, the federal government and the members of the Mississaugas of the New Credit reached a land settlement. It was generally acknowledged that the sum paid was compensation and not payment for the land—the value of the land included in the original “Toronto Purchase” would have been so astronomical as to be unpayable.

Since this settlement agreement did not affect any current ownership of property, what responsibility do landowners have to the Indigenous community? Is a transfer of money for compensation enough? What is the next step? Is the concept of private land ownership to be poked at? What are the key instruments in place today that perpetuate colonial assumption of land? What does decolonization look like in our parks? What does indigeneity look like in our parks?

More specifically, what can “Friends of” groups do to develop reconciliation practices? How do we move beyond land acknowledgements and our consideration of our heritage as settlers? How do “Friends of” groups help educate visitors to the park about these truths?

Certainly, there’s work here for anyone to study and reflect on. The answers may not be easily forthcoming, but in the process of asking questions, we open ourselves up to an alternative way of thinking of land, our relationship to it and our part in perpetuating the unfair use of lands, especially those deemed as “public”. As Daisy Couture states in the book, “non-Indigenous people who live on this land cannot pretend ignorance any longer”. But the truth and the facts are uncomfortable and being okay with not having the answers is also an unsettling space to occupy. We must be willing to accept or come to terms with this kind of uncertainty.

Matt Hern reminds us that the development of parks as we experience them today is not that old. “Parks are relatively recent inventions, and we don’t have to be trapped into a calcified and colonial rendition of what they might be.” That is a comfort. That we can make space for.

He also writes that the civil disobedience in parks, one of the spaces where people do seem to ignore many of those rules, is a small sign that we can be open to alternative land relations:  “the ongoing disobediences in the park—and in almost all parks—are promising: they gesture towards larger possible refusals and re-ordering in hopeful ways”.  At first, this seems like a meagre way to contemplate what decolonization might look like in parks, but when one considers the substantial and difficult shift settlers must make in our deep and unconscious beliefs about the land we inhabit, it does start with being more open-minded about the things that we might perceive as acceptable or unacceptable behaviours in our local parks.

Without challenging our assumptions about parks, asking questions to better understand our own complicity in furthering the domination of public space for the privileged, we cannot do the work needed to imagine what a new welcoming park paradigm looks like on the ground on any given day of the week. We are all visitors in a park; the weight of our footsteps equal in worth to all others who walk along its paths. 

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Storytime Under the Tree https://friendsofstjamesparkto.com/storytime-under-the-tree/?utm_source=rss&utm_medium=rss&utm_campaign=storytime-under-the-tree Sun, 14 Jun 2020 20:58:14 +0000 http://friendsofstjamesparkto.com/?p=1678

We may not be able to meet under the tree for storytime this year, but we can bring stories to you virtually! Join storytellers from the Friends of St. James Park and the Friends of Berczy Park together with the St. Lawrence Branch of the Toronto Public Library, as they read favourite children’s stories.


In this fourth and final virtual Storytime Under the Tree, volunteer Tegan Miller reads two of her favourite stories, WE FOUND A HAT by author and illustrator Jon Klassen and ANNA’S RAIN by Fred Burstein and illustrated by Harvey Stevenson.

We hope you enjoyed this virtual series. A big heartfelt thank you to our five volunteers, Maranatha, Faiza, Jon and Bruce, and Tegan, for helping to make this series happen. We will figure out a way to meet in person for the next Storytime Under the Tree program! Until then take care and keep reading!

It’s storytime again! We are back with neighbours Jon and Bruce for our third Storytime Under the Tree. They read the popular, good-for-all-ages story THE BAD SEED written by Jory John and illustrated by Pete Oswald. As a bonus, they also read a short and sweet story, I AM SO BRAVE by Stephen Krensky, illustrated by Sara Gillingham.

Our second episode of “Storytime Under the Tree” features Faiza Venzant reading her own book MY MAMMA WANTS TO EAT ME UP! and illustrated by Patrick Girouard.

In our first video, Maranatha Kim from the Toronto Public Library reads the story JUST BECAUSE written by Mac Barnett and illustrated by Isabelle Arsenault. This book is suitable for ages 3-6 years and can be borrowed from library. This book is being read with permission from Candlewick Press. 

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St James Park Revitalization https://friendsofstjamesparkto.com/st-james-park-revitalization/?utm_source=rss&utm_medium=rss&utm_campaign=st-james-park-revitalization Mon, 03 Feb 2020 18:45:30 +0000 http://friendsofstjamesparkto.com/?p=1624

The talk of park improvements began in 2012 when the St. Lawrence Market Neighbourhood BIA commissioned a study of the park by 8 80 Cities and Gehl Architects.

In 2016, under the leadership of city councillor Pam McConnell, work to develop a St. James Park Master Plan began. The design objectives were clear from the community—there was an overwhelming desire to maintain the character of the park, improve the pedestrian capacity, ensure flexibility in programming, celebrate the neighbourhood and its cultural heritage, and integrate a playground and public art.

The consultant design team was led by PMA Landscape Architects with Earthscape collaborating on playground design, RAW Design providing pavilion architecture, Marcel Dion on special lighting features, and Scott Eunson on public art.

Phase 1 of the revitalization was completed in the fall of 2018. The market-themed playground designed by Earthscape won a Landscape Ontario Award in January 2019.

The playground is designed so that the various features are intentionally spread out. This encourages kids to run from one piece to another.

Giant-sized produce and a tower made of stacked farmer’s baskets are the central features of the playground. Each play structure is designed to allow for higher achievements as a child grows and revisits the park and because studies have shown that healthy development includes learning one’s limits while taking risks, the playground includes elements such as the asparagus climber and the merry-go-round, that introduce risk while adhering to current safety standards. The playground area also features a flexible seating platform under a tree perfect for story time and a small water-play area.

Phase 2 of the park improvements started in the fall of 2019. In the center of the park, an enlarged plaza provides ample seating capacity. On the east side of the plaza, a new open-air pavilion, made of heavy timber columns and a trellis canopy with recessed lighting, is in part, inspired by the Gothic arches of the cathedral’s architecture. Located at this community axis that attracts walk-by pedestrians, it is suitable for a variety of programmed events and for daily community uses.

The entry plazas at the four corners of the park are enhanced with distinct heritage interpretation elements, seating and plantings. The northeast entry plaza at Jarvis and Adelaide (completed as part of Phase 1) incorporates a wayfinding light feature—a sculptural abstract interpretation of the St. James Cathedral in silhouette. The Robert Gourlay bust welcomes visitors coming into the park from the northwest entry plaza, and the south entry plazas feature installations by artist Scott Eunson.

Throughout, pathways have been widened to meet accessibility design guidelines, and new heritage lighting and benches have been added. The mature tree canopy was carefully preserved, and new trees were planted. The formal garden was extended with two new beds on the east side designed and planted by the Garden Club of Toronto.

The seat wall in the southwest plaza near the cathedral features a bronze silhouette of the architectural skyline of the area through several historic periods by artist Scott Eunson.

The anticipated opening date of Phase 2 is June 2020. For more details visit the City of Toronto St. James Park Revitalization project.

Follow our regular construction updates on social media: Facebook Twitter Instagram

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